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Mother baseball. I enjoy speculating about its bloody beginnings as a fertility rite. Funny that with all the verbiage about the sport no one mentions the obvious structural relationship between a baseball stadium and a womb: in design, a stadium is both a circle and a “Y,” two notorious female symbols. The curved and sloping shape of the stands is like a plush endometrium in which we fans cozy up to watch a lone batter square off against the universe.... I especially like to think about that when announcers describe players’ bats as fast, corked, dead, quiet, live, or as loaded barrels—and pitches as high hard ones.
—Vanalyne Green, U. S. video artist. Originally published in M/E/A/N/I/N/G #1(December 1986)

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We attempt to remember our collective American childhood, the way it was, but what we often remember is a combination of real past, pieces reshaped by bitterness and love, and, of course, the video past—the portrayals of family life on such television programs as “Leave it to Beaver” and “Father Knows Best” and all the rest.
—Richard Louv (20th century)